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Have you seen the new Doctor Octopus, designed by fan-favorite artist Humberto Ramos? Click to dig the Doc.
Marvel Hires New Publisher
Following such rumors, Marvel today announced that Bill Jemas has been replaced as Publisher. Now read who took his job.
CrossGen's Solus #7
CrossGen thinks you'll love George Pérez's new issue of Solus. And to prove it, here's a five-page preview.
Marvel Searches For She-Hulk
Writer Geoff Johns and artist Scott Kolins reunite for Marvel's Avengers as they search for She-Hulk.
Virtex Returns For Digital Webbing
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Marvel's Mutants Gains New Penciler
Marvel's New Mutants has a new artist onboard, and we've got a five-page preview. See if he's got the chops.
Image Rocks Out With Shangri-La
Are you ready to rock and roll? Image is, with their upcoming graphic novel Shangri-La. Read the details here.
Marvel Teams Up For A Good Cause
Spider-Man and The Incredible Hulk team up for charity in a special December one-shot. Read all about it.
Davis' Marquis Returns In December
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Marvel Unveils '04 FF Plans
Marvel plans three Fantastic Four series for 2004, and we've got the details and preview art. Check this out.
2F2F DVD Contest
The hit street racing film 2 Fast 2 Furious is driving to DVD players near you. Win a free copy from Slush and Universal.

Movie Review:
Terminator 3: Rise of the Machines
By Matt Singer


Terminator 2: Judgment Day was the first R-rated film I saw in a movie theater. I absolutely loved it: the action, the humor, the cutting edge 1991 special effects dazzled my preteen mind. It was basically the coolest thing I’d ever seen. Twelve years later, the Terminator series is back for Rise of the Machines, minus series creator James Cameron and Linda Hamilton as Sarah Conner. Even John Conner is played by a different actor; Nick Stahl instead of Edward Furlong. The only returning star is, of course, Arnold Schwarzenegger as the Terminator. Now the films’ R rating does not even give me pause. Times have changed, but there is still more life left in Terminator 3 than you’d expect.

When Rise opens, Stahl’s Conner is laying low. Even though the 1997 date that was supposed to signal the start of the Judgment Day War with machines came and went, he doesn’t have a home or phone number so any possible future machines cannot come looking for him. A freak motorcycle accident leads to a meeting with former hookup Kate Brewster (Claire Danes) just as the new T-X Terminator returns to our time. Played by supermodel Kristanna Loken, the T-X (or Terminatrix) strikes an imposing figure, in a wow-what-kind-of-men-must-SHE-date way. Despite her impressive arsenal (and somewhat vague abilities), she is not as scary a villain as either Robert Patrick’s T-1000 or even Schwarzenegger himself from the first Terminator.

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Naturally a Schwarzenegger model Terminator is also sent to earth at the same time as the T-X, and before long Rise of the Machines cranks out the special effects and violence. Pauses are allowed occasionally for the actors to breathe and speak a few lines, but make no mistake: this is a big-time action movie. There are several chases, replete with explosions and countless crashes, and a couple of fun hand-to-hand battles between the Terminators (Interestingly, there are noticeably less guns and gun-related imagery than in Terminator 2). The shame here is that the rare quiet moments actually work. Schwarzenegger, back in his most famous role, has a blast getting tons of laughs and generally looking like he’s having a grand time (The guy made something like $30 million for the role, so you can understand his delight). Stahl slips into the John Conner role impressively, and he and Danes look like they belong together on-screen. Unfortunately, at 110 minutes, more character-oriented scenes are abandoned to make room for as many chases as possible. Personally I would have added another ten minutes to give us a few more John and Terminator scenes.

In Terminator 2, the cyborgs and the SkyNet computer system that spawned them was attributed to Cyberdyne corporation, and there was so much anti-corporate imagery you had to cut through it with a hatchet. This time around, I don’t recall hearing Cyberdyne’s name come up once; the potential machine threat comes from the United States government and military. After Enron, and with Afghanistan and Iraq in recent memory, it’s surprising to see the series take it’s anti-corporate, anti-technology message and make it more antimilitary and antigovernment. It’s an interesting slant, especially since corporations are now an even easier target than they were in the equally recessed days of 1991. I’d be fascinated to hear director Jonathan Mostow speak about his views about America’s current foreign policy.

The Terminator and Terminator 2 had a nice symmetry They felt like a complete story. There is no reason for Rise of The Machines to exist from a story perspective; make no mistake that this is cash-grabbing sequel. But at least Mostow is a superb director of action and his film isn’t nearly the embarrassment it could have been. You leave the theater feeling that you got your money’s worth and the Terminator reputation intact. This time, there is an open ending left to provide easy access to further sequels. Whether you want another film is irrelevant. “Desire is irrelevant...I am a machine!” Arnold reminds us as The Terminator, and when it comes to big summer sequels he is right. The Hollywood machine doesn’t care about desire, it cares about potential box office. But the lease they can do is what they accomplished here: entertain you while they take your money.


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Sword of Dracula
Slush launches our Halloween countdown with the first in a series of spooky reviews. First up? New series, Sword of Dracula.
John Byrne's IMO
This week John points out that fans cannot read the minds of creators, although you wouldn't know that by listening to some of them.
The Dead Zone
Flesh-eating zombies battle the last remaining police officer in Image's new series, The Walking Dead. We review the first issue.
Steve Niles Interview
Slush interviews Steve Niles, the acclaimed writer of 30 Days of Night, who tells us about the relaunch of Fused.
A Spidery Preview
Have you seen the new Doctor Octopus, designed by fan-favorite artist Humberto Ramos? Click to dig the Doc.
Kill Bill Review
Slush reviews the first installment of Quentin Tarantino's kung fu slasher masterpiece, Kill Bill.
Viper Interview
Slush takes a look at new publisher Viper Comics, and interviews the guys behind two of its hottest books.
Peanuts Collected
Cartoon fans rejoice. Fantagraphics is reprinting the entire collection of Charles Schulz' Peanuts. Read on for details.

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