New Doc Ock Hits Spider-Man
Have you seen the new Doctor Octopus, designed by fan-favorite artist Humberto Ramos? Click to dig the Doc.
Marvel Hires New Publisher
Following such rumors, Marvel today announced that Bill Jemas has been replaced as Publisher. Now read who took his job.
CrossGen's Solus #7
CrossGen thinks you'll love George Pérez's new issue of Solus. And to prove it, here's a five-page preview.
Marvel Searches For She-Hulk
Writer Geoff Johns and artist Scott Kolins reunite for Marvel's Avengers as they search for She-Hulk.
Virtex Returns For Digital Webbing
A comic about a cybernetic cowboy that hunts outlaws riding dinosaurs? Where do we sign up? Read on and find out.
Marvel's Mutants Gains New Penciler
Marvel's New Mutants has a new artist onboard, and we've got a five-page preview. See if he's got the chops.
Image Rocks Out With Shangri-La
Are you ready to rock and roll? Image is, with their upcoming graphic novel Shangri-La. Read the details here.
Marvel Teams Up For A Good Cause
Spider-Man and The Incredible Hulk team up for charity in a special December one-shot. Read all about it.
Davis' Marquis Returns In December
Guy Davis' sin-slayer is back in The Marquis: Intermezzo, coming from Oni Press. Read all about it.
Marvel Unveils '04 FF Plans
Marvel plans three Fantastic Four series for 2004, and we've got the details and preview art. Check this out.
2F2F DVD Contest
The hit street racing film 2 Fast 2 Furious is driving to DVD players near you. Win a free copy from Slush and Universal.

Comic Review:
Captain America #12
By Matt Martin


Marvel Comics – Chuck Austen, John Ney Rieber (w); Jae Lee (a)

I’ve made the joke several times in my store that, when dealing with old comic books produced in an unknown time period, there’s a sure-fire to at least tell if a Republican president was in office at the time. Because, inevitably, there seems to spring forth a wealth of stories about governmental misdeeds and cover-ups, more so, it seems, than when a Democrat is in charge of the country. So now, with a Republican in the White House again, apparently Captain America needs to battle shady government dealings once more.

The issue begins with some standard patriotic fare, Captain America attempting to explain to a child why he should respect the American flag, but finding himself unable to speak the words necessary for the task. Then a gorgeous series of panels is ruined by a vague, clichéd monologue in which Cap, for the umpteenth time in his career, questions his loyalty to the American military that created him.

Article continued below advertisement

The story then shifts perspective, moving on to an unnamed villain who narrates a flashback sequence for his daughter regarding why she must assist him in capturing and interrogating Captain America. The explanation, in a nutshell, is that while working in the Arctic, the villain discovered some sort of Atlantian burial ground and began dissecting the frozen corpse for government-funded research. Enraged at the desecration of sacred ground, Namor emerges from the deep and stomps toward the lab. En route, he encounters the frozen Captain America, lost since World War II. Freeing his former comrade-in-arms, Namor proceeds to tear the research facility apart, but is prevented from killing all those present when the newly revived (but incoherent) Cap stumbles onto the scene. The “twist,” predictably, is that the scientists are not Nazis, but agents of the American government.

And here’s my complaint: last week in my review of Action Comics #802, I said that I felt that the concept of superheroes defending America from terrorism had simply grown tiresome. Well, the idea that the American government is complicit with terrorist organizations is every bit as overdone.

So while this issue doesn’t necessarily address the issue of terrorism (though previous issues, in a typically heavy-handed manner, have), it does feel the need to ramble on, both in the summary page and in Captain America’s dialogue, about agents of the U.S. government who “hide behind it” (it being the flag) “to do unspeakable things.”

To be perfectly honest, this is just one of those times where I read a book and say to myself, “I’ve seen this done before and done better.” There’s absolutely no reason to pick Captain America up, as the subject matter that it treats has been handled more articulately, more appropriately and more originally. Rieber’s run has, thus far, not added a blessed thing to the Captain America mythos. Thankfully, it’s coming to a close soon. The only positive aspect of the book is the art, where Jae Lee’s moody artwork is unfortunately overshadowed by Rieber’s story, which is about as subtle as a sledgehammer.

Final Score: 1/5

Contest: Win the Speed Racer limited collector's edition on DVD! Click here to enter


E-Mail Author  |  Archive  |  Tell A Friend



Sword of Dracula
Slush launches our Halloween countdown with the first in a series of spooky reviews. First up? New series, Sword of Dracula.
John Byrne's IMO
This week John points out that fans cannot read the minds of creators, although you wouldn't know that by listening to some of them.
The Dead Zone
Flesh-eating zombies battle the last remaining police officer in Image's new series, The Walking Dead. We review the first issue.
Steve Niles Interview
Slush interviews Steve Niles, the acclaimed writer of 30 Days of Night, who tells us about the relaunch of Fused.
A Spidery Preview
Have you seen the new Doctor Octopus, designed by fan-favorite artist Humberto Ramos? Click to dig the Doc.
Kill Bill Review
Slush reviews the first installment of Quentin Tarantino's kung fu slasher masterpiece, Kill Bill.
Viper Interview
Slush takes a look at new publisher Viper Comics, and interviews the guys behind two of its hottest books.
Peanuts Collected
Cartoon fans rejoice. Fantagraphics is reprinting the entire collection of Charles Schulz' Peanuts. Read on for details.

CHANNELS:  Features | Columns | Reviews | News | Film & TV | Forums | Slushfactory.com

Copyright © 2003 Slush Factory Entertainment (E-mail)
All Rights Reserved : No portion of Slush may be reprinted in any form without prior consent